19
Feb
A QUINTET’S PERCEPTIONS OF COLOUR IN LIGHT
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By
Dubby
EXHIBITION
Okechukwu Uwaezuoke
Five Nigerian artists are currently engaging the visual arts audi...
19
Feb
CHRISTIE’S FOLLOWS THE MONEY, AS IT AUCTIONS CONTROVERSIAL IGBO FIGURES
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By
Dubby
By defending its recent auction of a pair of contentious Igbo sacred art objects, despite stron...
19
Feb
LOOKING BEYOND COVID-19, NATIONAL GALLERY ROLLS OUT NEW PLANS
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By
Dubby
Forced to suspend some of its programmes due to the outbreak of the COVID-19 pandemic, the National Gallery of...
19
Feb
TEMITAYO OGUNBIYI AND HER PLAYFUL VISIONS FOR NAPLES
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By
Dubby
Having successfully executed a playground project, commissioned by an Italian contemporary art museum, US-born...
19
Feb
AWAITING YSMA, NIGERIA’S FIRST LEGACY MUSEUM
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By
Dubby
On its final stages of completion, the Yemisi Shyllon Museum of Art blazes the trail as the first of its kind ...
19
Feb
Popular Nigerian Art
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By
Dubby
The origin of the Nigerian artworks can be traced back to 20 decades ago before colonial encroachment into our...
19
Feb
THE URGENCY OF DUKE ASIDERE’S EMOTIONAL STROKES
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By
Dubby
Duke Asidere, one of the contemporary Nigerian art’s leading lights, relives an emotionally intense period of ...
19
Feb
An Artist Biography De-Mystified
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By
Dubby
Apart from being one of those things an artist-entrepreneur needs to have readily available, artist biography ...
19
Feb
IN NEW YORK AND SMACK IN A PANDEMIC
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By
Dubby
The allure of the New York art season sees Nigerian artist Tony Nsofor visiting the city at a time the coronav...
19
Feb
CREATING AN ENTICING ARTIST STATEMENT.
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By
Dubby
There are differences between an artist’s biography and an artist’s statement. An artist’s statement is the wr...