19
Feb
Why 2020 Arteasy’s Black November Is For You!
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By
Dubby
Arteasy's Black-November is a reminder of the historical war against excessive brutality, inequality, and freq...
19
Feb
ADAPTING TO THE NEW NORMAL IN A TIME OF COVID-19
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By
Dubby
With his hopes of participating in a couple of exhibitions suddenly dashed because of a government-imposed loc...
19
Feb
FOR SAM OVRAITI, COVID-19 IS JUST A PHASE
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By
Dubby
Even a period of lockdown can creatively be advantageous to a creative mind, artist Sam Ovraiti discovers as s...
19
Feb
WITH A PLANNED AUCTION OF IGBO FIGURES, CHRISTIE’S COURTS CONTROVERSY
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By
Dubby
A planned auction of two sacred Igbo objects alongside others at the Paris salesroom of the British ...
19
Feb
A NEW VISION FOR ART&COLLECTION
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By
Dubby
The recently-established Society for Art Collection hopes to serve as a platform for educating both artists an...
19
Feb
SHARING TALES OF OIL, BLOOD AND&HOPE
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By
Dubby
French-Nigerian artist Wilfred Ukpong hopes to use art as an agent of change in the narrative of the marginali...
19
Feb
PRACTISING ART IN ABUJA AND LOVING IT
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By
Dubby
Struggling to earn their living against all odds, four Abuja-based artists enthuse about a brighter future for...
19
Feb
WITH ITS SIGHTS ON THE FUTURE, LIMCAF HEADS TO DAKAR BIENNALE
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By
Dubby
With a proposed Off exhibition at this year’s Dakar Art Biennale or Dak’Art, the Life in My City Art Festival ...
19
Feb
AWAITING YSMA, NIGERIA’S FIRST LEGACY MUSEUM
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By
Dubby
On its final stages of completion, the Yemisi Shyllon Museum of Art blazes the trail as the first of its kind ...
19
Feb
Popular Nigerian Art
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By
Dubby
The origin of the Nigerian artworks can be traced back to 20 decades ago before colonial encroachment into our...