Arteasy Insight|Exclusive Interview|Written by: Jekami Adetiloye O.

WAVINYA NGEI NURTURING THE FUTURE OF VISUAL ARTS.

โ€œempty your mind and rest from what you have been thinking too much about. There are answers in the universe if you let them come to you, they willโ€-Wavinya Ngei 

Roaming about in the stupendous 9th Universe that is Nike Art Gallery while engaging some of the eloquent artworks in the towering building- still, it was not hard for me to notice Wavinya Ngei.

There was something inexplicably different about how she was absorbing the pieces of art. Her gaze fixed on them like a miner trying to extract something valuable from the ground. Something which you would find out in the latter part of this publication. 

โ€œWhatever I know, it may not be much but if it can help someone, I am glad to share.โ€- Wavinya Ngei

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Wavinya Ngei

Wavinya Ngei

I didnโ€™t think much of her style of art assessment until she spoke in a special gathering put together to host dignitaries that, as usual, came to visit the iconic Dr. Chief Nike Okundaye that sunny Sunday afternoon. At that point, it was when I knew she had to be featured on Arteasy Insight. 

I was discouraged from following an artistic path. We were told to find a profession. Something else: lawyer, teacher, doctor โ€- Wavinya Ngei

Although in my Whatsapp chats with her preceding the interview, Wavinya Ngei was not really certain she had a great number of insights to dispense. But would later give in to my persistence.

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At the beginning of the 1 hour Whatsapp Voice Call interview. She was quick to state that โ€œ whatever I know, it may not be much but if it can help someone, I am glad to share.โ€

Wavinya Ngei (standing fourth from the right of your screen) in a photo with her students. Standing beside the South African guest Speaker(fifth from the right), Surisa Surisa (Production Designer for Elesin Oba- Death anD the Kings Horseman including the Nexflix Nollywood Blockbuster: Blood Sisters ), from the last EbonyLife Creative Academy 2021 intake

โ€œFilm is one artform. Film is art- because you are creating the world yet to unfoldโ€-Wavinya Ngei

Wavinya Ngei is a guru, film production designer, and art director. At the same time, she simply prefers to be referred to as a visual artist. For the reason that you need โ€œcolor, texture, and a team which represents the usual art mediums like canvas, paints, etc to do the job of a visual artistโ€.

Like the everyday visual artist, Ngei defends her right to be called a visual artist “because (as a film production designer or art director) you are creating the world yet to unfold.โ€ Moreover, according to Ngei โ€œ having more arts in your film makes a story deeper with layers that make it more memorable to your audienceโ€

L-R: CEO EbonyLife Creative Academy MO ABUDU and Wavinya Ngei

โ€œSometimes at the beginnings, it can be somehow tough but life teaches so muchโ€- Wavinya Ngei

Wavinya Ngei worked in the Art department for the 2019 directional debut of Chiwetel Ejiofor’s movie The Boy Who Harnessed The Wind. She co-designed the sets for the 2020 multi-award-winning Kenyan Netflix original POACHER and worked in the art department of the 2021 movie ENDANGERED SPECIES directed by the former director on one of the episodes of Marvelโ€™s Iron Man.

Remaining self-willed to the dream that she nurtured from her childhood on Massaku farmlands in Eastern Kenya, and having โ€œ to learn on the job or teach myselfโ€; Ngei was glad at the opportunity to come to Nigeria. โ€œI always wish there was somewhere I could go and learn moreโ€ she hints. 

She currently teaches film production design and acts as the head of the art department for the reputable Ebonylife Creative Academy founded by the highly honored Media Icon Mo Abudu. But getting to the level she is today is not as bright as beautiful as when she started out to follow her vision to be part of the visually creative industry. 

โ€œAs long as you have an open mind, everybody can teach you something. Every day is an opportunity to learn something. As long as you are willing to learn, there is always something you can learn whether from old or young people.โ€- Wavinya Ngei

Wavinya Ngei on the right celebrating her mum’s (in the center) birthday

Wavinya loved painting a lot as a child and was drawn to the movies. However, even though Wavinya Ngei grew up in a part of Kenya, Massaku, well known for their artistic customs of music and sculpture amongst other practices similar to those promoted in todayโ€™s art world; she never had as much support from her family or community to take art seriously from a young age. But they always have in their own way.

โ€œWe didn’t even get to watch filmsโ€, she cuts in quickly as if trying not to forget to mention that. โ€œI was discouraged from following an artistic path. We were told to find a profession. Something else: lawyer, teacher, doctor โ€, she continued. This was out of her parent’s financial concerns for her and the unenlightened idea that art was not a respectable career choice. 

Regardless of all the discouragements she experienced growing up as regards chasing what she loves, Wavinya Ngei insisted that โ€œ I don’t think my situation has anything to do with gender- it is a general viewpoint that artists, male or female, do not succeed financially in our society. Thankfully, that is changing.โ€

โ€œMaybe the money was not good initially, but the knowledge and experience will change with time. The more value you offer, the more you can demand a fee, the bigger your market, and the wider your network.โ€- Wavinya Ngei

She would go on to the university to secure a profession that was more generally acceptable to her family. Afterward, still faced with financial woes that avoiding visual art was meant to safeguard her from, Ngei tried her mind at doing business.

But in her words, โ€œI struggled because my heart was not in it.โ€ In an attempt to defend that statement, she further gives a description of โ€œjust doing it to survive not because you like it; it pays the billโ€.

She further declares that โ€œwe will be at work for six days a week and my boss would still decide to pay us less ( than the expected salary)โ€. That was the make-or-break moment for Wavinya Ngei. Without much thought, she took the bold step of quitting the non-fulfilling job.

Indeed, as she said, โ€œpassion is on its own a self-igniting thing.โ€ With a strong determination and an 8-month-old daughter to provide for, Wavinya Ngei against all odds pursued what she was passionate about. โ€œThey said you are (Wavinya Ngei is)going to come back and that propelled meโ€, she stated emphatically. 

 โ€œPassion is on its own a self-igniting thing.โ€- Wavinya Ngei

As a reward for her consistency in pursuing what she believed would give her life purpose, Wavinya Ngei got her first gig working in the art department of the East Africa reality-singing competition: Tusker Project Fame. โ€œMaybe the money was not good initially, but the knowledge and experience will change with time. The more value you offer, the more you can demand for a fee, the bigger your market, and the wider your network.โ€

While her dream, in reality, was not different from the facade she resigned from- โ€œI really enjoyed it. It slowly went on. I really liked it. There were endless hours but because it was something I love doing it was worth it and I have never looked back since 2006โ€ Ngei affirms. 

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Ngei’s Advice to Emerging African Creatives

โ€œGo out, the world is full of ideas and inspiration; meet people to grow your network. You donโ€™t know where the next opportunity will come fromโ€ฆget to know who is there and let them know you are there and the kind of work you doโ€– Wavinya Ngei

Offering her advice to emerging creatives and visual artists, Ngei places so much emphasis on two things. The first is learning.

โ€œAs long as you have an open mind, everybody can teach you something. Every day is an opportunity to learn something. As long as you are willing to learn, there is always something you can learn whether from old or young people.โ€ She further adds that โ€œit is better to stay curious and listen especially and open your eyes to whatโ€™s thereโ€

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Photo on set in Kenya filming a TVC with World 800m Champion and Olympic Gold Medalist David Rudisha

โ€œGo out and meet people to grow your network. You donโ€™t know where the next opportunity will come fromโ€, she says concerning the second thing which is networking. She continues by saying โ€œget to know who is there and let them know you are there and the kind of work you doโ€  

Wavinya Ngei with her Art Department colleagues in Malawi during the filming of The Boy Who Harnessed the Wind

“..embrace challenges, it builds your muscle to handle big goals and achievements. Without it (challenges) we wonโ€™t be anything.”- Wavinya Ngei 

The engrossing interview would be forced to end when Ngeiโ€™s phone notified her about the drained battery. Fortunately, 5% battery was enough to hear her opinion on the questions of creative block and sustaining oneโ€™s passion in a nation like Africa where there is no stable support or resources. 

Talking about the challenges of pursuing dreams in Africa generally, Ngei says โ€œwe are our own inspiration. We have a glorious history. There is so much everywhere in the world. There are challenges and in Africa, we surmount challenges people didnโ€™t expect us to survive.โ€

However, she is of the opinion that Africa is in this state it is because โ€œwe lost touch with our own culture and stopped believing in ourselves.โ€ The solution she believes would be โ€œreconnecting with our true history thatโ€™s beyond 500 ages.โ€

Finally, she admonishes emerging artists to โ€œ embrace challenges, it builds your muscle to handle big goals and achievements. Without it (challenges) we wonโ€™t be anything.โ€ Summarising her thoughts, Wavinya Ngei says โ€œwe should not be daunted by the challenges but take it head-on.โ€  

L-R: the magnificent Dr. Chief Mrs. Nike Okundaye and Wavinya Ngei

Closing the interview on how to tackle creative block, โ€œempty your mind and rest from what you have been thinking too much about. There are answers in the universe if you let them come to you, they willโ€ Ngei advises. Describing her own creative block-crushing technique, she explains that โ€œ if I am stuck, I go somewhere I havenโ€™t been beforeโ€ฆwalking in a place that has lots of activities is a form of meditation for me.โ€

Back to the important something she was trying to unearth from the different artworks she fixed her undecipherable gaze on, Wavinya says she was โ€œreading and being inspired by other peopleโ€™s creativity which was why you (I) found me (her) in Nike (Art Gallery).โ€ She goes on by saying โ€œ you can’t go to Nike (Art Gallery) and come out empty because it is filled with creativity.โ€